Rooftop Shouting

Part two of the big Street Fighter project is a look at Capcom’s detour back in time. Art: James Gilleard

Kicking off a big new series of old Street Fighter stories, I talked to a bunch of people about how the series got off the ground in the first place. Art: Darya Shnykina

Seven years in, Oculus has published some great games, but has only scratched the surface of what VR can do. So ahead of this year’s Oculus Connect conference, I talked to Jason Rubin and Mike Verdu about where they see the market going next. Art: Matthew Lyons

I thought it would be nice to follow-up on the Final Fantasy 7 story with a look at what its main character is doing now. Art: Michael Firman

Why retail is in trouble. Photo: Jonathan Castillo

In early 2014, I posted a story called Street Fighter 2: An oral history. Three years later, here’s Final Fantasy 7: An oral history. Photos: Jonathan Castillo, Irwin Wong

http://www.polygon.com/features/2016/11/21/13696872/last-guardian-spiritual-successor-vane-mare Photo: Irwin Wong

It takes a lot of people to make a headset. Photo: Irwin Wong

Last year, I bumped into someone who used the term “white label” to describe his work. I hadn’t heard of it, so I asked and heard about developers who make games but don’t appear in the credits and don’t publicly acknowledge the work. More recently, I decided to look into the idea and see how common it…

Mario Maker is one of those games I can’t help but want to write about. I love the concept, the nostalgia, and the yellow packaging/branding. So I did a quick story on how Nintendo embraced Mario’s weird side in it.

I had nothing to do with Brave Wave’s phenomenal Street Fighter soundtrack, but they were nice enough to ask me to write an essay for the booklet, so that counts for something.

At one point Yu Suzuki was arguably the most famous arcade game designer in the world. Now he runs a small production company designed to generate and oversee game concepts. As part of Polygon’s Life in Japan cover, I talked to him about game ideas that never got off the ground and what he wants to do…

In the late 1980s, Hideo Yoshizawa, Masato Kato and Keiji Yamagishi worked with a small team to create action game Ninja Gaiden for the NES. As part of Polygon’s Life in Japan cover (which also features the debut of Yamagishi’s first single from his new album, and the reveal of a game he’s composing music for), when they…

I’d wanted to do a story on game industry agents for years, but had always been looking for the right way to do it — as an overview of the industry, focusing on one person, etc. Then last year, Creative Artists Agency reached out about a possible story and we started talking, and I realized there were…

This is one of those ideas that came up a lot over the years: “Wouldn’t it be fun to dig up the Atari landfill in New Mexico?” I heard it at 1UP. We talked about it at Polygon. And as I learned doing this story, there were a bunch of others interested like Discovery Channel. But it…

About two years ago, Vanity Fair ran an oral history of The Sopranos. That approach is nothing new and Vanity Fair isn’t the only one doing it, but when I read it I realized I hadn’t seen much of that for games. So I tried to think of a game that would make sense to…

Awhile back, I saw a magazine story with Matt Stone and Trey Parker drawn as South Park characters. I think it was in Entertainment Weekly, and I wanted to rip it off. I wanted to ask a game studio artist to draw their team’s director in their game’s art style. Then when I started on a feature…

I suppose you can consider this part two in a series on canceled projects designed to make players cry, following the LMNO story I did at 1UP. With Milo, I was fascinated by the tech and ambition — creating a virtual boy who could talk to players and interact with them through Kinect. It was…

Lawsuits and a falling out with Midway: the story of what happens when a game becomes a phenomenon and not everyone gets paid. Huge thanks to Incredible Technologies VP of marketing Scott Morrison for digging up outtake photos from the 1994 “Daniel Pesina, who starred as Johnny Cage in Mortal Kombat has switched to BloodStorm” print ad. Photo: Scott Morrison

It’s a lot easier to write a story about someone who make games when he puts himself in the game. Weirdest moment: Going to a Sony press event, seeing a PlayStation-themed alcoholic drink menu with a “Papa & Yo” on it and thinking it was a strange fit for a game about an abusive alcoholic father.…

Before Street Fighter 2 snowballed the arcade industry, Takashi Nishiyama and his team created a predecessor remembered more for awkward pressure sensitive controls than for the game itself. Nishiyama hadn’t done an interview in 12 years, so I took a shot and reached out. It ended up being extremely popular, covering Nishiyama’s career as he moved…

At the 2011 Tokyo Game Show, Jeremy Parish, Thierry Nguyen, and I scheduled interviews with developers who had been affected by the 2010 Tohoku earthquake in an effort to see how things had changed a year later. Most were more open than we anticipated. Katsuhiro Harada discussed a scene with a drowning character that his…

LMNO was supposed to be the second game in a three-game deal between Steven Spielberg and Electronic Arts — an ambitious idea featuring a woman named Eve in a first-person adventure designed to make an emotional connection with players. But as the years went on after EA announced the game, the news surrounding it got quieter…

EA’s 2010 NBA Jam revival made for a good excuse to do a history feature on the franchise, so I talked to ex-Midway developers about the original game’s development, Acclaim’s former CEO about the license confusion, and people who worked on Acclaim’s less popular series titles. Then EA showed us a bunch of modern prototype stuff to…

Prior to Brutal Legend‘s release and 2 Player Productions’ excellent Double Fine documentary, I did a story noting the parallels between Double Fine head Tim Schafer and Brutal Legend star Eddie Riggs, with a bit of a Rolling Stone influence to play up the game’s music roots. Thanks to a couple timely coincidences in the form…